Traveling through the Soviet Union with a touring production of Porgy and Bess, he produced a series of articles for The New Yorker that became his first book-length work of nonfiction, The Muses Are Heard (1956). Capote co-wrote with John Huston the screenplay for Huston’s film Beat the Devil (1953). In the early 1950s, Capote took on Broadway and films, adapting his 1951 novella, The Grass Harp, into a 1952 play (later a 1971 musical and a 1995 film), followed by the musical House of Flowers (1954), which spawned the song "A Sleepin’ Bee". When one woman said, "I’m telling you: he’s just young", the other woman responded, "And I’m telling you, if he isn’t young, he’s dangerous!" Capote delighted in retelling this anecdote. Walking on Fifth Avenue, Halma overheard two middle-aged women looking at a Capote blowup in the window of a bookstore. Random House featured the Halma photo in its "This is Truman Capote" ads, and large blowups were displayed in bookstore windows. The Broadway stage revue New Faces (and the subsequent film version) featured a skit in which Ronny Graham parodied Capote, deliberately copying his pose in the Halma photo. Truman Capote was born Truman Streckfus Persons in New Orleans, Louisiana, the son of 17-year-old Lillie Mae (née Faulk) and Archelaus Persons, who was a salesman.1 When he was four, his parents divorced, and he was sent to Monroeville, Alabama, where he was raised by his mothers relatives. The humorist Max Shulman struck an identical pose for the dustjacket photo on his collection, Max Shulman’s Large Economy Size (1948). The novelist Merle Miller issued a complaint about the picture at a publishing forum, and the photo of "Truman Remote" was satirized in the third issue of Mad (making Capote one of the first four celebrities to be spoofed in Mad). The Los Angeles Times reported that Capote looked "as if he were dreamily contemplating some outrage against conventional morality". When the picture was reprinted along with reviews in magazines and newspapers, some readers were amused, but others were outraged and offended. The Andy Warhol Foundation for the Visual ArtsĬapote photographed by ] When Warhol moved to New York in 1949, he made numerous attempts to meet Capote, and Warhol’s fascination with the author led to Warhol’s first New York one-man show, Fifteen Drawings Based on the Writings of Truman Capote at the Hugo Gallery (June 16 – July 3, 1952). According to Clarke, the photo created an "uproar" and gave Capote "not only the literary, but also the public personality he had always wanted." The photo made a huge impression on the 20-year-old Andy Warhol, who often talked about the picture and wrote fan letters to Capote. Truman claimed that the camera had caught him off guard, but in fact he had posed himself and was responsible for both the picture and the publicity." Much of the early attention to Capote centered on different interpretations of this photograph, which was viewed as a suggestive pose by some. Gerald Clarke, in Capote: A Biography (1988), wrote, "The famous photograph: Harold Halma’s picture on the dustjacket of Other Voices, Other Rooms (1948) caused as much comment and controversy as the prose inside. A 1947 Harold Halma photograph used to promote the book showed a reclining Capote gazing fiercely into the camera. The promotion and controversy surrounding this novel catapulted Capote to fame. Other Voices, Other Rooms made The New York Times bestseller list and stayed there for nine weeks, selling more than 26,000 copies. This much-discussed 1947 Harold Halma photo on the back of Other Voices, Other Rooms (1948) was a key factor in Capote’s rise to fame during the 1940s. "I am Joel, we are the same people." So, in a sense, had Truman rejoiced when he made peace with his own identity. Yet acceptance is not a surrender it is a liberation. Enthält die Texte «New Orleans» (mit 2 Fotografien von Henri Cartier-Bresson), «New York» (mit 2 Fotografien von Louis Faurer), «Brooklyn» (mit einer Fotografie von Karl Bissinger und einer von Harold Halma), «Hollywood» (mit 2 Fotografien von Louis Faurer), «Haiti» (mit 2 Fotografien von Karl Bissinger), «To Europe» (mit einer Fotografie von Bill Brandt und einer von Alexander Liberman), «Ischia» (mit 2 Fotografien von Clifford Coffin), «Tangier» (mit 2 Fotografien von Cecil Beaton) und «Spain» (mit einer Fotografie von Karl Bissinger und einer von George Hoynigen-Huene).Finally, when he goes to join the queer lady in the window, Joel accepts his destiny, which is to be homosexual, to always hear other voices and live in other rooms. «Notes and sketches about persons and places», ursprünglich in Mademoiselle, Vogue, The New Yorker und Harper's Bazaar erschienen «Nine distinguished photographers have contributed the accompanying illustrations» (Klappentext). Who but Truman Capote would dare to say that about (among many, many others) Jacqueline Onassis, Norman Mailer, Montgomery Clift, André Gide, Marilyn Monroe, Lee Radziwill, Tennessee Williams, J. geprägtem Rückentitel, Farbkopfschnitt u.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |